# | Read | Title Avg. |
Year |
Book Link |
1 |
| Cavell on Film | 2005 | |
2 |
| Rebel Without a Cause: Approaches to a Maverick Masterwork | 2005 | |
3 |
| The Death of Classical Cinema: Hitchcock, Lang, Minnelli | 2006 | |
4 |
| Apocalyptic Dread: American Film at the Turn of the Millennium | 2007 | |
5 |
| Seoul Searching: Culture and Identity in Contemporary Korean Cinema | 2007 | |
6 |
| Exile Cinema: Filmmakers at Work beyond Hollywood | 2008 | |
7 |
| Now Playing: Early Moviegoing and the Regulation of Fun | 2008 | |
8 |
| Ecology and Popular Film: Cinema on the Edge | 2009 | |
9 |
| Three Documentary Filmmakers: Errol Morris, Ross McElwee, Jean Rouch | 2009 | |
10 |
| Second Takes: Critical Approaches to the Film Sequel | 2010 | |
11 |
| Fantastic Voyages of the Cinematic Imagination: Georges Méliès's Trip to the Moon | 2011 | |
12 |
| Hitchcock at the Source: The Auteur as Adapter | 2011 | |
13 |
| Hitchcock, Second Edition: The Murderous Gaze | 2012 | |
14 |
| Native Recognition: Indigenous Cinema and the Western | 2012 | |
15 |
| Hollywood's New Yorker: The Making of Martin Scorsese | 2013 | |
16 |
| Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema | 2014 | |
17 |
| B Is for Bad Cinema: Aesthetics, Politics, and Cultural Value | 2014 | |
18 |
| Bad Seeds and Holy Terrors: The Child Villains of Horror Film | 2014 | |
19 |
| Binghamton Babylon: Voices from the Cinema Department, 1967-1977 | 2015 | |
20 |
| Ghost Faces: Hollywood and Post-Millennial Masculinity | 2016 | |
21 |
| Encounters with Godard: Ethics, Aesthetics, Politics | 2016 | |
22 |
| Invented Lives, Imagined Communities: The Biopic and American National Identity | 2016 | |
23 |
| Doing Time: Temporality, Hermeneutics, and Contemporary Cinema | 2016 | |
24 |
| Looking with Robert Gardner | 2016 | |
25 |
| Regarding Life: Animals and the Documentary Moving Image | 2016 | |
26 |
| John Huston as Adaptor | 2017 | |
27 |
| Hitchcock's Moral Gaze | 2017 | |
28 |
| American Stranger: Modernisms, Hollywood, and the Cinema of Nicholas Ray | 2017 | |
29 |
| Brechtian Cinemas: Montage and Theatricality in Jean-Marie Straub and Daniele Huillet, Peter Watkins, and Lars von Trier | 2017 | |
30 |
| Gestures of Love: Romancing Performance in Classical Hollywood Cinema | 2017 | |
31 |
| Passionate Detachments: Technologies of Vision and Violence in American Cinema, 1967-1974 | 2017 | |
32 |
| Are You Watching Closely?: Cultural Paranoia, New Technologies, and the Contemporary Hollywood Misdirection Film | 2017 | |
33 |
| Rx Hollywood: Cinema and Therapy in the 1960s | 2018 | |
34 |
| Queer Art Camp Superstar: Decoding the Cinematic Cyberworld of Ryan Trecartin | 2018 | |
35 |
| Immanent Frames: Postsecular Cinema between Malick and von Trier | 2018 | |
36 |
| Rule, Britannia!: The Biopic and British National Identity | 2018 | |
37 |
| Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination | 2018 | |
38 |
| Rumble and Crash: Crises of Capitalism in Contemporary Film | 2019 | |
39 |
| From El Dorado to Lost Horizons: Traditionalist Films in the Hollywood Renaissance, 1967-1972 | 2019 | |
40 |
| Sounds Like Helicopters: Classical Music in Modernist Cinema | 2019 | |
41 |
| Brute Force: Animal Horror Movies | 2019 | |
42 |
| Tuitions and Intuitions: Essays at the Intersection of Film Criticism and Philosophy | 2019 | |
43 |
| The Great War in Hollywood Memory, 1918-1939 | 2019 | |
44 |
| Slapstick Camera, The: Hollywood and the Comedy of Self-Reference | 2020 | |
45 |
| Miraculous Realism: The French-Walloon Cinéma du Nord | 2020 | |
46 |
| Funny How?: Sketch Comedy and the Art of Humor | 2020 | |
47 |
| Letters from Hollywood: 1977-2017 | 2020 | |
48 |
| Giallo!: Genre, Modernity, and Detection in Italian Horror Cinema | 2020 | |
49 |
| Mind Reeling: Psychopathology on Film | 2020 | |
50 |
| A Very Old Machine | 2021 | |
51 |
| Was It Yesterday?: Nostalgia in Contemporary Film and Television | 2021 | |
52 |
| Race and the Suburbs in American Film | 2021 | |
53 |
| Curtains of Light: Theatrical Space in Film | 2021 | |
54 |
| Perpetual Movement: Alfred Hitchcock's Rope | 2021 | |
55 |
| Seeing Symphonically | 2021 | |
56 |
| Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema | 2021 | |
57 |
| Luchino Visconti and the Alchemy of Adaptation | 2021 | |
58 |
| The Holiday in His Eye | 2021 | |
59 |
| The Hard Sell of Paradise: Hawai'i, Hollywood, Tourism | 2022 | |
60 |
| Writ on Water: The Sources and Reach of Film Imagination | 2022 | |
61 |
| Hollywood Films in North Africa and the Middle East: A History of Circulation | 2022 | |
62 |
| Action, Action, Action: The Early Cinema of Raoul Walsh | 2022 | |
63 |
| The Cinematographer's Voice | 2022 | |
64 |
| White Cottage, White House: Irish American Masculinities in Classical Hollywood Cinema | 2022 | |
65 |
| No Jurisdiction: Legal, Political, and Aesthetic Disorder in Post-9/11 Genre Cinema | 2022 | |
66 |
| Whiteness at the End of the World: Race in Post-Apocalyptic Cinema | 2022 | |
67 |
| Cinema of Discontent: Representations of Japan's High-Speed Growth | 2022 | |
68 |
| Distancing Representations in Transgender Film: Identification, Affect, and the Audience | 2023 | |
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