# | Read | Title Avg. |
Year |
Book Link |
1 |
| Movie Journal: The Rise of the New American Cinema, 1959-1971 | 1972 | |
2 |
| Laughing Hysterically: American Screen Comedy of the 1950s | 1994 | |
3 |
| Primitive Passions | 1995 | |
4 |
| Sound Technology and the American Cinema: Perception, Representation, Modernity | 2000 | |
5 |
| Sound Technology and the American Cinema | 2000 | |
6 |
| Hearst Over Hollywood | 2002 | |
7 |
| Wondrous Difference: Cinema, Anthropology, and Turn-Of-The-Century Visual Culture | 2002 | |
8 |
| Hearst Over Hollywood: Power, Passion, and Propaganda in the Movies | 2002 | |
9 |
| Special Effects: Still in Search of Wonder | 2002 | |
10 |
| Special Effects | 2002 | |
11 |
| Masculine Interests | 2002 | |
12 |
| Masculine Interests; Homoerotics in Hollywood Films. | 2002 | |
13 |
| Hollywood and the Culture Elite: How the Movies Became American | 2005 | |
14 |
| Hollywood and the Culture Elite | 2005 | |
15 |
| Taiwan Film Directors: A Treasure Island | 2005 | |
16 |
| Taiwan Film Directors | 2005 | |
17 |
| Eye of the Century: Film, Experience, Modernity | 2005 | |
18 |
| Shocking Representation | 2005 | |
19 |
| Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film | 2005 | |
20 |
| The New European Cinema: Redrawing the Map | 2006 | |
21 |
| China on Screen: Cinema and Nation | 2006 | |
22 |
| The New European Cinema | 2006 | |
23 |
| China on Screen | 2006 | |
24 |
| Film and Stereotype: A Challenge for Cinema and Theory | 2006 | |
25 |
| Film and Stereotype: A Challenge for Cinema and Theory | 2006 | |
26 |
| George Gallup in Hollywood | 2006 | |
27 |
| George Gallup in Hollywood | 2006 | |
28 |
| Hitchcock's Romantic Irony | 2007 | |
29 |
| Electric Sounds: Technological Change and the Rise of Corporate Mass Media | 2007 | |
30 |
| Electric Sounds | 2007 | |
31 |
| Sentimental Fabulations, Contemporary Chinese Films | 2007 | |
32 |
| Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility | 2007 | |
33 |
| Hitchcock's Romantic Irony | 2007 | |
34 |
| Shivers Down Your Spine: Cinema, Museums, and the Immersive View | 2008 | |
35 |
| Weimar Cinema | 2008 | |
36 |
| Eye of the Century | 2008 | |
37 |
| Shivers Down Your Spine | 2008 | |
38 |
| African Film and Literature: Adapting Violence to the Screen | 2009 | |
39 |
| African Film and Literature | 2009 | |
40 |
| Film Studies: An Introduction | 2009 | |
41 |
| Hollywood Lighting from the Silent Era to Film Noir | 2009 | |
42 |
| Film Studies: An Introduction | 2009 | |
43 |
| Hollywood Lighting from the Silent Era to Film Noir | 2009 | |
44 |
| Levinas and the Cinema of Redemption: Time, Ethics, and the Feminine | 2010 | |
45 |
| Levinas and the Cinema of Redemption | 2010 | |
46 |
| Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète | 2010 | |
47 |
| Counter-Archive | 2010 | |
48 |
| Indie: An American Film Culture | 2011 | |
49 |
| Pretty | 2011 | |
50 |
| Film and Stereotype | 2011 | |
51 |
| Pretty: Film and the Decorative Image | 2011 | |
52 |
| Pretty: Film and the Decorative Image | 2011 | |
53 |
| Chinese Women's Cinema: Transnational Contexts | 2011 | |
54 |
| Chinese Women’s Cinema | 2011 | |
55 |
| Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema | 2011 | |
56 |
| Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema | 2011 | |
57 |
| Electric Dreamland: Amusement Parks, Movies, and American Modernity | 2012 | |
58 |
| Hollywood’s Copyright Wars | 2012 | |
59 |
| Hollywood’s Copyright Wars: From Edison to the Internet | 2012 | |
60 |
| American Showman: Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908–1935 | 2012 | |
61 |
| Electric Dreamland | 2012 | |
62 |
| Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking | 2012 | |
63 |
| The Utopia of Film | 2013 | |
64 |
| The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik | 2013 | |
65 |
| Where Film Meets Philosophy | 2013 | |
66 |
| Hollywood and Hitler, 1933-1939 | 2013 | |
67 |
| Cinematic Appeals: The Experience of New Movie Technologies | 2013 | |
68 |
| Cinematic Appeals | 2013 | |
69 |
| Continental Strangers: German Exile Cinema, 1933-1951 | 2014 | |
70 |
| Must We Kill the Thing We Love? | 2014 | |
71 |
| Must We Kill the Thing We Love?: Emersonian Perfectionism and the Films of Alfred Hitchcock | 2014 | |
72 |
| New Tunisian Cinema | 2014 | |
73 |
| New Tunisian Cinema: Allegories of Resistance | 2014 | |
74 |
| Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics | 2014 | |
75 |
| Deathwatch | 2014 | |
76 |
| Deathwatch: American Film, Technology, and the End of Life | 2014 | |
77 |
| After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 | 2014 | |
78 |
| After the Silents | 2014 | |
79 |
| Maya Deren: Incomplete Control | 2014 | |
80 |
| Dreaming of Cinema | 2014 | |
81 |
| "It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age | 2014 | |
82 |
| Maya Deren | 2014 | |
83 |
| Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media | 2015 | |
84 |
| Plastic Reality | 2015 | |
85 |
| Motion Pictures | 2015 | |
86 |
| The Lumière Galaxy | 2015 | |
87 |
| Motion Pictures: The Cinema of Stasis | 2015 | |
88 |
| Motion Pictures: The Cinema of Stasis | 2015 | |
89 |
| The Lumière Galaxy: Seven Key Words for the Cinema to Come | 2015 | |
90 |
| The End of Cinema? | 2015 | |
91 |
| The End of Cinema?: A Medium in Crisis in the Digital Age | 2015 | |
92 |
| The Use and Abuse of Cinema | 2015 | |
93 |
| The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present | 2015 | |
94 |
| Studios Before the System: Architecture, Technology, and the Emergence of Cinematic Space | 2015 | |
95 |
| The Shape of Spectatorship | 2015 | |
96 |
| The Shape of Spectatorship: Art, Science, and Early Cinema in Germany | 2015 | |
97 |
| Impersonal Enunciation, or the Place of Film | 2015 | |
98 |
| Impersonal Enunciation, or the Place of Film | 2016 | |
99 |
| Movie Journal | 2016 | |
100 |
| When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film | 2016 | |
101 |
| When Movies Were Theater | 2016 | |
102 |
| Carceral Fantasies | 2016 | |
103 |
| Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America | 2016 | |
104 |
| Unspeakable Histories | 2016 | |
105 |
| Unspeakable Histories: Film and the Experience of Catastrophe | 2016 | |
106 |
| Reform Cinema in Iran: Film and Political Change in the Islamic Republic | 2016 | |
107 |
| Essays on the Essay Film | 2017 | |
108 |
| Exception Taken | 2017 | |
109 |
| Exception Taken: How France Has Defied Hollywood's New World Order | 2017 | |
110 |
| Words on Screen | 2017 | |
111 |
| Cinema by Design | 2017 | |
112 |
| Essays on the Essay Film | 2017 | |
113 |
| Cinema by Design: Art Nouveau, Modernism, and Film History | 2017 | |
114 |
| After Uniqueness: A History of Film and Video Art in Circulation | 2017 | |
115 |
| The Essay Film After Fact and Fiction | 2018 | |
116 |
| Specters of Slapstick and Silent Film Comediennes | 2018 | |
117 |
| Specters of Slapstick and Silent Film Comediennes | 2018 | |
118 |
| Show Trial | 2018 | |
119 |
| Melodrama Unbound | 2018 | |
120 |
| Melodrama Unbound: Across History, Media, and National Cultures | 2018 | |
121 |
| Cinema/Politics/Philosophy | 2018 | |
122 |
| Cinema/Politics/Philosophy | 2018 | |
123 |
| The Dynamic Frame | 2019 | |
124 |
| The Dynamic Frame: Camera Movement in Classical Hollywood | 2019 | |
125 |
| Post-Fordist Cinema | 2019 | |
126 |
| Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture | 2019 | |
127 |
| Hollywood's Dirtiest Secret | 2019 | |
128 |
| Hollywood's Dirtiest Secret: The Hidden Environmental Costs of the Movies | 2019 | |
129 |
| Chromatic Modernity | 2019 | |
130 |
| Chromatic Modernity: Color, Cinema, and Media of the 1920s | 2019 | |
131 |
| Rewriting Indie Cinema: Improvisation, Psychodrama, and the Screenplay | 2019 | |
132 |
| On the Screen: Displaying the Moving Image, 1926–1942 | 2019 | |
133 |
| Play Time | 2019 | |
134 |
| Play Time: Jacques Tati and Comedic Modernism | 2019 | |
135 |
| Spaces Mapped and Monstrous | 2020 | |
136 |
| Anxious Cinephilia | 2020 | |
137 |
| Spaces Mapped and Monstrous: Digital 3D Cinema and Visual Culture | 2020 | |
138 |
| Anxious Cinephilia: Pleasure and Peril at the Movies | 2020 | |
139 |
| Film Studies, second edition | 2020 | |
140 |
| Absence in Cinema | 2020 | |
141 |
| Absence in Cinema: The Art of Showing Nothing | 2020 | |
142 |
| Hollywood's Artists | 2020 | |
143 |
| Hollywood's Artists: The Directors Guild of America and the Construction of Authorship | 2020 | |
144 |
| Bombay Hustle | 2020 | |
145 |
| Bombay Hustle: Making Movies in a Colonial City | 2020 | |
146 |
| “Keep ’Em in the East” | 2021 | |
147 |
| Alluring Monsters | 2021 | |
148 |
| Alluring Monsters: The Pontianak and Cinemas of Decolonization | 2021 | |
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